What You Need to Know About Sample Rate

Javi Lloret



To put it simply, we call Sample rate the number of amplitude recordings a computer takes per second. This graph will get you a more visual image of how it works:

As you can see there’s a waveform in green, and it has been divided into small pieces. Those pieces have a unit of amplitude (dB level, or ‘loudness’, even that’s not entirely correct but we could also call it this way), and that’s exactly what the computer is registering for that small portion of the waveform (audio recording). It might seem impossible but when we're seeing a sample rate of 44.1kHz that's 44.1 thousand pieces of amplitude per second! The same system applies to all the rest of the sample rates, but with even more samples (more about different types later).

Someone might be asking… but why is the computer registering sound with amplitude measurements and not just frequencies?

Because different amplitudes over time create frequencies. Frequency means nothing without time, the existence of ‘frequency’ requires a time component into the equation. Think about speakers. How do we hear sound from them? The membrane vibrates to different amplitudes (intensity levels), and that, over time creates a frequency.



Image source: iZotope

As you can see in the image above, this is what happens when we increase the sample rate. The bigger the sample rate, the more samples are taken by the computer, and therefore the more accurate the digital result is to the original analog wave. However, that doesn’t necessarily mean the sound quality is better. Let’s take a look at the Nyquist Theorem, which tells us more about the issue:

  • Nyquist Theorem: the highest audio frequency a digital audio system can record or reproduce is one-half the sampling rate of the system.

Therefore, we get the following audible limits when recording at different sample rates:

  • Nyquist Limits: for 44.1kHz (sample rate) = 22.05kHz (limit)

                                      for 48kHz (sample rate) = 24kHz ( limit)


This is the reason why 44.1kHz is the most popular for audio-only projects, as it goes above the 20k threshold of human hearing.



As you might have seen, there are two common Sample rates:

  • 44.1kHz = mostly used for audio-only projects
  • 48kHZ = mostly used for audio + video projects

All the rest of sample rates are multiples of these two:

  • Audio only: 88.2kHZ, 176.4kHz, 
  • Audio + Video: 96kHz, 192kHz

As technology gets better and faster, we get bigger and bigger sample rates to work with.



As we’ve seen, there are different sample rates for different projects. While 44.1kHz and 48kHz are the most common ones, when working for a client or collaborating with people there might be different specifications, especially in the video world.

Communication is essential on this matter, and the people you work with or work for should specify at what sample rate should the final result be at. However, there are a few ways to know it on your own:



If you receive STEMS for a project, these will have their Sample Rate embedded into the file. To check these simply click on the ‘Get Info’ of one of the files:

A window like this will show up, where you’re able to see the Sample Rate along with the rest of the information on your file:



For video, the most recommended way to do it is using QuickTime. Open your movie on QuickTime and press Cmd + I to launch the Inspector window.

Here you’ll be able to see the Sample Rate along with all the rest of the information on our file.


Now that you've learned this, make sure you don't miss checking the sample rate when you work on your music. Have fun! :)

Sign-up for a Peer Training today if you’d like to learn more about these and other topics at library.berklee.edu/training

Training Subject
DAW Mastering Mixing Recording Sound Design Sync To Picture Video Editing
Creative Technology Center Knowledge base
Last modified
Thu, Apr 14th 2022