Schillinger house : Manuscript Binders
Volume information and comments about handwriting, content and corresponding Books provided by Phil DiTullio of the Schillinger Society.
All spellings are transcribed exactly from the binder pages and tabs, capitalization altered. Only the first letter of any word is capitalized.
Some punctuation added for clarity.
Schillinger House Manuscript Binder #1
contents index
Book I: Theory of Rhythm [Schillinger Handwriting]
Book 1: Beginning {pg 1}
Tab 1: R a:b {pg 13}
Tab 2: Sum - Motion {pg 19}
>Tab 3: Combined Application (0) Balance {pg 23}
Tab 4: R's Applied to Instrumental Forms of Harmony {pg 25}
Tab 5: (2) Expansion (3) Contraction {pg 31}
Tab 6: Variations 1 Elements {pg 35}
Tab 7: 3 Elements {pg 53}
Tab 8: 4 Elements {pg 69}
Tab 9: Permutations of Higher Orders {pg 77}
Tab 10: Square of Binomial {pg 89}
Tab 11: Square of Trinomial {pg 107}
Tab 12: Generalization of the Square {pg 111}
Tab 13: Cube of All {pg 121}
Tab 14: Rhythm of Variable Velocities {pg 139}
Book VI: Harmonization of Melody Chapter 3 [Schillinger Handwriting] {pg 153}
Book VII: Theory of Counterpoint [Schillinger Handwriting] {pg 185}
Book IX: General Theory of Harmony [Schillinger Handwriting} {pg 201}
Book VIII: Instrumental Forms of Harmony {pg 291}
Schillinger House Manuscript Binder #2
contents index
Book VII Theory of Counterpoint [L. Berk Writing]
Book VII: Beginning {pg 1}
Tab 1: Counterpoint {pg 3}
Tab 2: Density and Tension {pg 7}
Tab 3: Resolution of Dissonances {pg 11}
Tab 4:Correlation of Melodies {pg 13}
Tab 5: Imitation (Canon) {pg 37}
Tab 6: Fugue {pg 49}
[No Tab Marking: Schillinger Handwriting:] Continuity of Couplings {pg 171}
Schillinger House Manuscript Binder #3
contents index
Book V: Special Theory of Harmony {L. Berk writing]
Book V: Beginning {pg 1}
Tab 1: S(7) {pg 3}
Tab 2: Exchange of Common Tones {pg 9}
Tab 3: Diatonic Zero Cyclo (C0) {pg 17}
Tab 4: S(7) Resolution {pg 21}
Tab 5: Preparation {pg 23}
Tab 6: G 6/4 - G 4/3 {pg 35}
Tab 7: Symm. S(7) {pg 41}
Tab 8: Hybrid 5 Part Harmony {pg 47}
Tab 9: Symm. S(9) {pg 53}
Tab 10: S(9) Resolution {pg 63}
Tab 11: S(9) Preparation {pg 67}
Tab 12: Forms of Transformation {pg 73}
Tab 13: Symmetric {pg 83}
Tab 14: Forms of S(9) {pg 103}
Tab 15: General System {pg 107}
Tab 16: S(11) Diatonic {pg 111}
Tab 17: S(11) Symm. {pg 117}
Tab 18: Chromatic System {pg 121}
Tab 19: Modulation {pg 151}
Tab 20: Enharmonic {pg 191}
Tab 21: Passing Tones/ Altered Chords {pg 201}
Tab 22: Mixed Continuity {pg 211}
Tab 23: Combined Continuity {pg 217}
Schillinger House Manuscript Binder #4
contents index
Book IV: Theory of Melody [L. Berk's writing] {pg 3}
Book II: Pitch Scales [L. Berk's writing] {pg 123}
Schillinger House Manuscript Binder #5
contents index
Book IX: General Theory of Harmony [L. Berk Writing] [No tab markings for this binder]
Schillinger House Manuscript Binder #6
contents index
Books VI and VIII [L. Berk handwriting]
Beginning {pg 1}
Tab 1: Pedal Point {pg. 5}
Tab 2: Pedal Point in Symmetric System {pg 15}
Tab 3: Elements of Melodic Figuration {pg 17}
Tab 4: Thematic Melodic Figuration {pg 33}
Tab 5: Melodization of Harmony {pg 45}
Tab 6: Instrumental Forms of Harmony {pg 83}
Tab 7: Symmetric Melodization {pg 95}
Tab 8: Chromatic Melodization {pg 129}
Tab 9: Harmonization of Melody (D-M) (D-H) {pg 157}
Tab 10: Diatonic – M, Chromatic – H {pg 183}
Tab 11: Diatonic – M, Symmetric – H {pg 193}
Tab 12: Chromatic – M, Chromatic – H {pg 201}
Tab 13: Chromatic – M, Diatonic – H {pg 207}
Tab 14: Chromatic – M, Symmetric – H {pg 211}
Tab 15: Symmetric – M Symmetric – H {pg 217}
Tab 16: Symmetric – M, Diatonic – H {pg 221)}
Tab 17: Symmetric – M, Chromatic – H {pg 225}
Tab 18: RE-h melody plan arr. {pg 229}
Schillinger House Manuscript Binder #7
contents index
Book V: Special Theory of Harmony [Schillenger writing, some Berk notes in between]
Book V: Beginning {pg 1}
Tab 1: Harmony, Diatonic System {pg 3}
Tab 2: Symmetric System progressions and structures {pg 45
Tab 3: Symmetric Zero Cycle {pg 77}
Tab 4: Irregular Doublings {pg 103}
Tab 5: Sixth Chords {pg 113}
Tab 6: Doublings in S(6) {pg 119}
Tab 7: G6 in Symmetric Harmony {pg 133}
Tab 8: G 6/4 in Symmetric Harmony {pg 167}
Schillinger House Manuscript Binder #8
contents index
Book V: Special Theory of Harmony [L. Berk handwriting]
Book V: Beginning {pg 1}
Tab 1: Harmony – Diatonic System {pg 1}
Tab 2: Symmertic System: {pg. 37}
Tab 3: Co Symm. {pg. 67}
Tab 4: Irregular Doublings {pg. 95}
Tab 5: S(6) {pg. 105}
Tab 6: Passing Chords G6 {pg 117}
Tab 7: G 6/4 {pg 121}
Tab 8: Continuity {pg 123}
Tab 9: G(6) Symm. {pg 127}
Tab 10: G6/4 Symm. {pg 189}
Schillinger House Manuscript Binder #9
contents index
Book I: Permutations [L. Berk Writing]
Book I: Beginning {pg 1}
Tab 1: Variation 2 Elements {pg 3}
Tab 2: 3 Elements {pg 35}
Tab 3: 4 Elements {pg 65}
Tab 4: Permutations of Higher Orders {pg 99}
Tab 5: Homogeneous Simultaneity and Continuity {pg 105}
Tab 6: Series of Factorial and Fractional Continuity {pg 155}
Tab 7: Square of a Binomial {pg 159}
Tab 8: Square of a Trinomial {pg 193}
Tab 9: Generalization of the Square {pg 225}
Tab 10: Cube of a Binomial {pg 237}
Tab 11: Cube of a Trinomial {pg 247}
Tab 12: Generalization of all Powers {pg 253}
Tab 13: Rhythm of Variable Velocities {pg 257}
Schillinger House Manuscript Binder #10
contents index
Book II: Pitch Scales [In Schillinger Handwriting] {pg 3}
Book I: Table of Resultants With and Without Fractioning [Schillinger Handwriting?] {pg 7}
Book II: Pitch Scales Continued [Schillinger Handriting] {pg 11}
Book II: Beginning {pg 11}
Tab 1: Theory of Melody {pg 11}
Tab 2: The Ratio of Secondary Axes {pg 29}
Tab 3: Pitch Ratios of Secondary Axes {pg 35}
Tab 4: Modal Transposition {pg 95}
Tab 5: Modulations {pg 101}
Tab 6: 2nd Group {pg 109}
Tab 7: Composition of Consistancy {pg 131}
Tab 8: Symmetric Systems of Musical Pitch {pg 147}
Tab 9: 3rd Group {pg 153}
Tab 10: 4th Group {pg 177}
Book III: Geometrical Inversions [Schillinger Handwriting] {pg 219}
Book III: Beginning {pg 219}
Tab 11: Geometrical Inversions {pg 219}
Tab 12: Comp. of Harmonic Continuity Thru Geo. Inv. {pg 239}
Tab 13: Geom. Expansion {pg 245}
Schillinger House Manuscript Binder #11
contents index
Volume II: An Introductory Course in Arranging by [Lawrence Berk and possibly J. Mcinery and L. Dowling]
Volume II: Beginning {pg 1}
Tab: Transformations {pg. 55}